![]() Some raw files contain a standardized metadata section with data in Exif format. These include the exposure settings, camera/scanner/lens model, date (and, optionally, place) of shoot/scan, authoring information and other. Image metadata which can be useful for inclusion in any CMS environment or database.Camera sensor metadata which is required to interpret the sensor image data, including the size of the sensor, the attributes of the CFA and its color profile.A short file header which typically contains an indicator of the byte-ordering of the file, a file identifier and an offset into the main file data.The structure of raw files often follows a common pattern: Raw files contain the information required to produce a viewable image from the camera's sensor data. Most raw image file formats store information sensed according to the geometry of the sensor's individual photo-receptive elements (sometimes called pixels) rather than points in the expected final image: sensors with hexagonal element displacement, for example, record information for each of their hexagonally-displaced cells, which a decoding software will eventually transform into the rectangular geometry during "digital developing". Raw image formats are intended to capture the radiometric characteristics of the scene, that is, physical information about the light intensity and color of the scene, at the best of the camera sensor's performance. ![]() The purpose of raw image formats is to save, with minimum loss of information, data obtained from the sensor. Unlike physical film after development, the Raw file preserves the information captured at the time of exposure. Like undeveloped photographic film, a raw digital image may have a wider dynamic range or color gamut than the developed film or print. (With exposed film, development is a single event that physically transforms the unexposed film irreversibly.) Rather, the raw datasets are more like exposed but undeveloped film which can be converted (electronically developed) in a non-destructive manner multiple times in observable, reversible steps to reach a visually desired image. Raw image files are sometimes incorrectly described as "digital negatives". There are dozens of raw formats in use by different manufacturers of digital image capture equipment. Normally, the image is processed by a raw converter, in a wide- gamut internal color space where precise adjustments can be made before conversion to a viewable file format such as JPEG or PNG for storage, printing, or further manipulation. Raw files are so named because they are not yet processed, and contain large amounts of potentially redundant data. This is especially beneficial if you shot a large number of images under rapidly changing conditions and changed the in camera settings at the time you shot them.A camera raw image file contains unprocessed or minimally processed data from the image sensor of either a digital camera, a motion picture film scanner, or other image scanner. So if you got it right in camera, you don't have to rebuild that set of choices again to get the image to appear the way you told the camera. in place when you shot each image are used by default. The white balance, contrast, saturation, etc. When a RAW image is first opened in DPP the image is displayed using the in camera settings selected at the time the image was created.Adobe products strip the information from the maker note section of the EXIF information and ignore it when processing the image. Canon includes some fairly significant information in the 'maker note' section and uses some of this information when doing RAW conversion. DPP preserves the 'maker notes' section of the EXIF information and includes it when exporting the image converted to JPEG.Although Lightroom has closed the gap with the last couple of editions DPP still seems to do a better job of strong noise reduction with images taken at high ISO in low light while preserving a little more detail.With the addition of the Digital Lens Optimizer for many of Canon's most often used professional grade lenses correction for lens aberrations including diffraction can be applied to a RAW file and exported still in the RAW format. No one knows more about them than Canon does. The lens correction profiles are based on Canon's knowledge of the design and tested performance of their lenses.Canon designs and manufactures their image sensors themselves and no one knows more about them than Canon does. The demosaicing algorithms are based on Canon's knowledge of the design and tested performance of their cameras.On the other hand, with RAW files from a Canon DSLR DPP does have some advantages over other third party software for use as a RAW conversion application: It won't open any of the RAW files from the Sony. I can't image why Canon's Digital Photo Professional was included with a Sony NEX-5R.
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